“Angry Dolls” embodies the tension between control and rebellion, capturing silent frustration beneath polished surfaces. It reflects the human condition of constrained emotions, where innocence masks inner turmoil. The title reveals a landscape where vulnerability manifests as rage, a paradox of static facades harboring restless energy. It invites a recognition of the dissonance in appearances—how rigid forms contain untamed forces, and how beneath calm exteriors, the spirit resists confinement, asserting its presence through quiet defiance. This is the subtle revolt of the soul encased in —